Price
₹75,000.00
Rïnde – Stoneware Sculpture
Growing up on the slopes of Purvanchal hills, Upendra Ram has been deeply influenced by the culture practices of the region. His experiments with his artworks draw on his experience in this cultural milieu to create marvellous totem-like structures that represent gram-devatas i.e., village deities. During his residency at BEADS, he studied the studio’s existing research on Niyamgiri hills.
Read MoreWith Rinde he creates a fluid and towering totem structure exaggerating its perceptibility with intricate motifs of the Dongria culture. The triangles epitomise the mountain Niyamgiri which is worshipped by the Dongrias. The curves characterize the roaring waterfalls and rivers flowing through the hills.This signature totemic ceramic product was created using hand-coiled methods on a wheel. Its red clay with a burnt umber colour is dedicated to Odisha’s native flora and fauna.Rinde portrays the gateway to Niyamgiri depicting all forms of life, culture and sensitivity in one structure.”
– For preventative care, dust regularly with a soft microfiber cloth.
– If the object you are cleaning has tiny holes or crevices, use a soft, lightweight brush to clean out any dirt or dust.
– If any part of the porcelain or pottery appears damaged, do not attempt to clean it until it has been repaired by a professional.
– Height (with Head) 26.7 inches x Base 6.29 inches
– 6.44 Kg with the heads
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Sōru Pēnu - Stoneware Sculpture
Sōru Pēnu is the result of an idea that attempts to bring to life Niyam Raja, the God of Niyamgiri in Upendra’s signature totem-like art form. Niyamgiri is home to high-altitude flora and fauna as well as unusually rich wildlife. Upendra borrowed from the pattern of a tamarind leaf to symbolize the flora and the triangles represent Niyam Raja. The curves denote water bodies i.e., rivers and waterfalls and the straight lines at the bottom represent the boundary of the tribe’s habitation.
Read MoreThis signature totemic ceramic product was created using hand-coiled methods on a wheel. Its red clay with a burnt umber colour is dedicated to Odisha's native flora and fauna. Sōru Pēnu describes the slow nature-centric lifestyle of the Dongria tribe fused with myriad tales of the land.
Growing up on the slopes of Purvanchal hills, Upendra Ram has been deeply influenced by the culture practices of the region. His experiments with his artworks draw on his experience in this cultural milieu to create marvellous totem-like structures that represent gram-devatas i.e., village deities. During his residency at BEADS, he studied the studio’s existing research on Niyamgiri hills.
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